By Neil Schneider
Last week, MTBS was flown at the Dolby Laboratories' San Francisco headquarters to sample their work in stereoscopic 3D and surround sound audio. In part one of our coverage, I talked about their 3D and surround sound cinema solutions. Today, we continue our tour of Dolby Labs!
Bill Admans, Director of Production and Post-Production Solutions for Dolby demonstrated a new color calibration display for cinema production called the PRM-4200. The specifications of these things are all gobbltigook to me, but there were some facts that struck me.
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MTBS' Visit to Dolby Headquarters, Part II
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